1.0American Journal of Archaeologyhttps://ajaonline.orgajahttps://ajaonline.org/author/aja/rich600338<blockquote class="wp-embedded-content" data-secret="Ka51RFJD6R"><a href="https://ajaonline.org/book-review/2821/">L’art égéen. Vol. 2, Mycènes et le monde mycénien</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ajaonline.org/book-review/2821/embed/#?secret=Ka51RFJD6R" width="600" height="338" title="“L’art égéen. Vol. 2, Mycènes et le monde mycénien” — American Journal of Archaeology" data-secret="Ka51RFJD6R" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ajaonline.org/wp-includes/js/wp-embed.min.js </script> This volume is the second of a pair dedicated to a comprehensive presentation of Aegean art, from the Neolithic through the end of the Bronze Age. In an age when handbooks and companions comprised of chapters written by area specialists proliferate, it is a little surprising to see so ambitious a project undertaken by a […]